Anna Caterina Antonacci

Anna Caterina has been recognized by the French Republic as one of the top talented sopranos in her generation. As a tribute to her success her award was the 'Chevalier de la l'Ordre national of the Legion of Honour' (the highest distinction a performer can earn) from the French Republic. Era la Notte, her debut album for Naive was an enormous success. Alongside this, she also recorded the song L'Alba separa the ombra's luce (with Donald Sulzen), with Tosti Hahn's and Cilea's songs in the form of Wigmore Live. Anna Caterina is one of the Accademici Effettivi, as voted by the distinguished panellists of the General Assembly of the Academicians of Santa Cecilia. This took place in 2021. Anna Caterina has performed the part of the Madame de Croissy, in Poulenc's Dialogues des Carmelites at the Teatro dell'Opera di Roma in the 22/23 Season. Anna Caterina Antonacci will perform the role in the Bayerische Staatsoper's season finale. Anna Caterina Antonacci hails from Italy. She is well-known for her roles that she has played in both bel canto as well as baroque repertoire. For several years she performed the Rossini Canon as mezzosoprano. Anna Caterina Antonacci, 62 years of age is not yet known for her height. Anna Caterina Antonacci Height Weight Body Measurements Hair Color Eye Size of Color Dress can be updated as soon as we can. The actress is not married. She is currently single. There is not much we have to know about her past relationship and engagements. According to the database, she has never ever had children. The value of her net worth is increasing fast in 2022-23. How much is Anna Caterina Antonacci's networth now that she is aged 62? Anna Caterina Antonacci earns most of her income by being a successful. Anna Caterina Antonacci's earnings come predominantly derived from being a highly successful artist. She was mezzo-soprano over a period of time, particularly in that part of the Rossini canon. Antonacci trained in Bologna and debuted as Rosina in 1986 in Arezzo. Her profile was extensively written by the New York Times in March 2012.

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